Discussion.
Two questions for open discussion. One semi-heavy, one light.
1. Why is it that short story writers are not considered to be 'real writers' by the public at large?
(Yes, I *am* getting tired of having people who find out I write say, "Oh, you must be working on a novel." Or worse, "You must have a book out, then. Right?")
2. Regarding writing a story longhand with fountain pen. What are the advantages, o ye who are fountain pen mavens? What are the disadvantages?
1. Why is it that short story writers are not considered to be 'real writers' by the public at large?
(Yes, I *am* getting tired of having people who find out I write say, "Oh, you must be working on a novel." Or worse, "You must have a book out, then. Right?")
2. Regarding writing a story longhand with fountain pen. What are the advantages, o ye who are fountain pen mavens? What are the disadvantages?
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Of course, plenty of people out there don't really understand the work needed to perfect the craft, so assume that if you've been published, it must be in book form and there's no intermediary steps.
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